Elena Njoabuzia Onwochei-Garcia              

Oil and tempera on washi                               

Painting, Installation 180 x 316 cm   

The triptych explores how dynamics replicate themselves through generations and how the insularity of those relationships affirms and conditions their nature. The series draws on Garcia Lorca’s play La Casa de Bernarda Alba, a world which is exclusively governed by negation in its many forms: rejection, emptiness, sterility, absence of sensation, loneliness, seclusion and denial.